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Arhitektura
Bibliofilski primerci
Biografije & Memoari
Enciklopedije & Leksikoni
Etnologija & Antropologija
Ezoterija
Filozofija
Geografija, Putopisi
Istorija
Knjige na stranim jezicima
Književnost
Kolekcionarstvo
Muzika, Film, Pozorište
Nauka
Ostalo
Pedagogija
Periodična štampa
Pravo, Politika, Društvo
Privreda, Ekonomija, Biznis
Psihologija
Rečnici, Lingvistika
Religija i mitologija
Sabrana dela, kompleti
Sociologija
Sport i Hobi
Umetnost i kultura
Zdravlje, ishrana, kuvari
| | Vidi sve oblasti
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| Liberali i liberalizam u Srbiji 19. veka (kratka istorija) - Miroslav Perišić
U Srbiji se liberalizam pojavljuje rano. Već među prvim školovanim Srbima polovinom XIX veka postoje zastupnici liberalnih ideja, kao što su Kosta Cukić i Dimitrije Matić. Ubrzo im se prodružuje veći broj mlađih kolega: Vladimir Jovanović, Milan Piroćanac, Jevrem Grujić, Milovan Janković, Ljubomir Kaljević, Čedomilj Mijatović itd, gotovo cela mlađa srpska intelektualna elita...
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| Pošurice 1-2 - Josip Eugen Tomić
Zagreb b.g (oko 1910), meki povez sa omotom, stanje vrlo dobro 4+ (pecat), str. 171+167, naslovne: Andrija Maurović, latinica
€9.99
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| Serbian music: Yugoslav contexts - Melita Milin, Jim Samson
Serbian music: Yugoslav contexts. As its title suggests, the volume aims to throw light on different
aspects of Serbian music (art and popular) composed and performed during
the lifetime of the
Yugoslav state (1918–1991). The Yugoslav multinational frame is
considered by most of our authors as of essential importance for the
shaping of Serbian music and
musical life, as indeed it was for the music of all the other nations
in Former Yugoslavia. What kind of continuity was established with the
era that preceded the
establishment of that complex state? How did the competing political
programmes of the different nations influence the sphere of music? How
was the official cultural
policy of rapprochement among the different Yugoslav nations
implemented in practice? How did the different nationalisms shape
musical creativity in Yugoslavia?
Is it possible to speak of Yugoslav music at all? What can
musicological discourses tell us about self-representation among the
different Yugoslav nations? And how
were political tensions (communism v capitalism) reflected in popular
music? These are some of the questions which the authors of this volume
attempt to address.
This book is the first of its kind in English. Its aim is by no
means to present a history of Serbian music from the last decades of the
nineteenth century to
the present, but rather to offer fresh insights into the complex,
dynamic relationship between national continuities and state
discontinuities in a country that
has always viewed itself as part of European cultural space.
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| PSALTIR (1848-61)
Pravoslavni Psaltir, bez mesta i godine (verov. Budim ili Srem. Karlovci, oko 1848-61), str. 384 + 1 bakrorez, vinjete, tvrdi orig. polukozni povez, stanje vrlo dobro 4+, crkvenoslovenski, vidi slike i opis
€79.99
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